Délai de livraison
2 à 5 jours ouvrés selon disponibilité
Gratuit
Livraison offerte
Dès 300€ HT sur toute la France métropolitaine
2-3 jours
Gratuit
DHL Courier delivery
Le coursier DHL effectuera la livraison à l'adresse indiquée.
2-3 jours
Gratuit
Garantie 1 an
Plus de détails
Retours gratuits
Plus de détails
Modes de paiement :
Son design emblématique inspiré des premières machines à pop-corn américaines en fait un équipement à la fois fonctionnel et attractif, parfaitement adapté à une utilisation professionnelle.
Grâce à son alimentation électrique en 230 V et à sa puissance de 1100 W, cette machine garantit une montée en température rapide et une production efficace de pop-corn, idéale pour les cinémas, snackings, fêtes foraines, bars, food trucks ou événements professionnels.
La machine à pop-corn Sofraca ORIGINAL 1911 est équipée d’une casserole robuste en téflon haute qualité, assurant une excellente répartition de la chaleur et limitant l’adhérence du maïs. Ce revêtement professionnel facilite la cuisson homogène des grains tout en simplifiant l’entretien quotidien.
Cette machine à pop-corn professionnelle offre un débit de production performant de 2,6 kg par heure.
Pensée pour un usage professionnel fluide et intuitif, cette machine à pop-corn professionnelle est dotée de :
Ces éléments contribuent à optimiser le temps de préparation, réduire les erreurs de dosage et améliorer l’expérience utilisateur, aussi bien pour les opérateurs que pour les clients finaux.
Pour une mobilité optimale, un chariot à roulettes compatible est disponible (vendu séparément), facilitant le déplacement de la machine lors d’animations commerciales, d’événements ponctuels ou sur des stands ambulants.
| Marques |
Sofraca |
|---|---|
| Poids (en kg) | |
| Garantie | |
| Couleur | |
| Tension (en V) |
230V (Monophasé) |
| Profondeur (en mm) |
360 |
| Hauteur (en mm) |
600 |
| Largeur (en mm) | |
| Puissance (en w) |
1100 |
| Puissance (en kW) |
1.1 |
A client that's unhappy for a reason is a problem, a client that's unhappy though he or her can't quite put a finger on it is worse. Chances are there wasn't collaboration, communication, and checkpoints, there wasn't a process agreed upon or specified with the granularity required.
It's content strategy gone awry right from the start. Forswearing the use of Lorem Ipsum wouldn't have helped, won't help now. It's like saying you're a bad designer, use less bold text, don't use italics in every other paragraph. True enough, but that's not all that it takes to get things back on track.
If that's what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader. Rigid proponents of content strategy may shun the use of dummy copy but then designers might want to ask them to provide style sheets with the copy decks they supply that are in tune with the design direction they require.
A client that's unhappy for a reason is a problem, a client that's unhappy though he or her can't quite put a finger on it is worse. Chances are there wasn't collaboration, communication, and checkpoints, there wasn't a process agreed upon or specified with the granularity required.
It's content strategy gone awry right from the start. Forswearing the use of Lorem Ipsum wouldn't have helped, won't help now. It's like saying you're a bad designer, use less bold text, don't use italics in every other paragraph. True enough, but that's not all that it takes to get things back on track.
If that's what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader. Rigid proponents of content strategy may shun the use of dummy copy but then designers might want to ask them to provide style sheets with the copy decks they supply that are in tune with the design direction they require.
A client that's unhappy for a reason is a problem, a client that's unhappy though he or her can't quite put a finger on it is worse. Chances are there wasn't collaboration, communication, and checkpoints, there wasn't a process agreed upon or specified with the granularity required.
It's content strategy gone awry right from the start. Forswearing the use of Lorem Ipsum wouldn't have helped, won't help now. It's like saying you're a bad designer, use less bold text, don't use italics in every other paragraph. True enough, but that's not all that it takes to get things back on track.
A client that's unhappy for a reason is a problem, a client that's unhappy though he or her can't quite put a finger on it is worse. Chances are there wasn't collaboration, communication, and checkpoints, there wasn't a process agreed upon or specified with the granularity required.
It's content strategy gone awry right from the start. Forswearing the use of Lorem Ipsum wouldn't have helped, won't help now. It's like saying you're a bad designer, use less bold text, don't use italics in every other paragraph. True enough, but that's not all that it takes to get things back on track.
Pas encore de compte ?
Créer un compte