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La crêpière gaz carrée Sofraca CR2CG40 est spécialement conçue pour les professionnels à haut volume de production. Avec ses deux plaques de 40 cm de diamètre et sa construction robuste en inox et fonte pleine microssillonnée, elle garantit une cuisson homogène, rapide et économique, même en usage intensif.
Grâce à ses plaques en fonte pleine de 12 mm d’épaisseur, cette crêpière accumule efficacement la chaleur, offrant une cuisson homogène et constante tout en réduisant la consommation d’énergie. La surface microssillonnée agit comme un coussin d’air, empêchant la pâte de coller et facilitant le nettoyage.
Chaque plaque est équipée de multicônes, qui répartissent la chaleur uniformément et évitent les pics localisés, assurant ainsi des crêpes parfaitement dorées sur toute la surface. Le brûleur à 8 branches en étoile complète cette diffusion homogène pour un contrôle optimal de la température.
Ouïes en forme de V : assurent une circulation parfaite de l’air, optimisant le refroidissement et la performance.
Tableau de bord protégé : protège contre les éclaboussures et les débordements de pâte grâce à l’avancée du châssis inox.
Jupe de sécurité : crée un espace entre le mur et l’appareil, prévenant la surchauffe et améliorant la sécurité.
Cette conception robuste et pratique rend la CR2CG40 idéale pour un usage intensif dans les crêperies, food trucks, restaurants et événements professionnels.
Caractéristiques techniques
Nombre de plaques : 2 × Ø 40 cm
Matériau : fonte pleine microssillonnée
Brûleurs : 2 brûleurs à 8 branches en étoile
Robinets : 2 robinets de contrôle
Allumage : 2 boutons piezo
Châssis : inox AISI 430
Tableau de bord protégé
Jupe de sécurité
Accessoires inclus
1 spatule en bois
Parfaite pour crêperies à fort débit, restaurants, hôtels, traiteurs et événements, cette crêpière double professionnelle combine performance, sécurité et économie d’énergie, tout en garantissant un rendement optimal pour chaque service.
| Marques |
Sofraca |
|---|---|
| Poids (en kg) | |
| Garantie | |
| Matériau | |
| Couleur | |
| Profondeur (en mm) |
512 |
| Hauteur (en mm) |
251 |
| Largeur (en mm) | |
| Puissance (en kW) |
6.4 |
A client that's unhappy for a reason is a problem, a client that's unhappy though he or her can't quite put a finger on it is worse. Chances are there wasn't collaboration, communication, and checkpoints, there wasn't a process agreed upon or specified with the granularity required.
It's content strategy gone awry right from the start. Forswearing the use of Lorem Ipsum wouldn't have helped, won't help now. It's like saying you're a bad designer, use less bold text, don't use italics in every other paragraph. True enough, but that's not all that it takes to get things back on track.
If that's what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader. Rigid proponents of content strategy may shun the use of dummy copy but then designers might want to ask them to provide style sheets with the copy decks they supply that are in tune with the design direction they require.
A client that's unhappy for a reason is a problem, a client that's unhappy though he or her can't quite put a finger on it is worse. Chances are there wasn't collaboration, communication, and checkpoints, there wasn't a process agreed upon or specified with the granularity required.
It's content strategy gone awry right from the start. Forswearing the use of Lorem Ipsum wouldn't have helped, won't help now. It's like saying you're a bad designer, use less bold text, don't use italics in every other paragraph. True enough, but that's not all that it takes to get things back on track.
If that's what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader. Rigid proponents of content strategy may shun the use of dummy copy but then designers might want to ask them to provide style sheets with the copy decks they supply that are in tune with the design direction they require.
A client that's unhappy for a reason is a problem, a client that's unhappy though he or her can't quite put a finger on it is worse. Chances are there wasn't collaboration, communication, and checkpoints, there wasn't a process agreed upon or specified with the granularity required.
It's content strategy gone awry right from the start. Forswearing the use of Lorem Ipsum wouldn't have helped, won't help now. It's like saying you're a bad designer, use less bold text, don't use italics in every other paragraph. True enough, but that's not all that it takes to get things back on track.
A client that's unhappy for a reason is a problem, a client that's unhappy though he or her can't quite put a finger on it is worse. Chances are there wasn't collaboration, communication, and checkpoints, there wasn't a process agreed upon or specified with the granularity required.
It's content strategy gone awry right from the start. Forswearing the use of Lorem Ipsum wouldn't have helped, won't help now. It's like saying you're a bad designer, use less bold text, don't use italics in every other paragraph. True enough, but that's not all that it takes to get things back on track.
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